See Notes Multiple Contributors

The Robin a Collection of Six Hundred and Eighty of the Most Celebrated English and Scotch Songs None of Which Are Contain'd in the Other Collections ... with a Glossary Explaining the Scotch Words See Notes Multiple Contributors

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Harvard University Houghton Library

N013041

The titlepage is engraved. Includes: 'A compleat alphabetical glossary, or, explanation of the Scotch words', [12]p. at end. Without the music. Also issued as vol.3 of 'Orpheus. A collection of one thousand nine hundred seventy four .. English and Scotch songs', London, 1749.

[London] : Printed for C. Hitch & I. Osborn in Pater-noster row, & I. Hodges on London bridge, 1749. [2],420,[12]p. : ill. ; 18°