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A Theory of the Tache in Nineteenth-Century Painting - Studies in Art Historiography Øystein Sjastad New edition
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A Theory of the Tache in Nineteenth-Century Painting - Studies in Art Historiography
Øystein Sjastad
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.
176 pages, Includes 20 b&w illustrations
| Media | Books Hardcover Book (Book with hard spine and cover) |
| Released | June 28, 2014 |
| ISBN13 | 9781472429445 |
| Publishers | Taylor & Francis Ltd |
| Pages | 190 |
| Dimensions | 243 × 167 × 17 mm · 560 g |
| Language | English |
| Series Editor | Woodfield, Professor Richard |
See all of Øystein Sjastad ( e.g. Paperback Book and Hardcover Book )