Salem Witchcraft: Comprising More Wonders of the Invisible World. Collected by Robert Calef; And Wonders of the Invisible World, By Cotton Mather; Together With Notes and Explanations by Samuel P. Fowler

Two Important Early Accounts of the Infamous Salem Witchcraft Trials Based on Primary Sources, with Notes and Explanations by Samuel P. Fowler. Originally published: Salem: H. P. Ives and A. A. Smith, 1861. xxi, [22] 450 pp.
Published in 1693, Wonders of the Invisible World by Cotton Mather [1663 1728] is an account of selected trials written at the request of the judges, who wished to address claims of impropriety. Though he believed in witchcraft, Mather was critical of the judges conduct when the trials were underway. After reading the transcripts, however, he concluded that the verdicts rested on ample evidence according to the standards of English and American law. Published in 1700, More Wonders of the Invisible World, Or The Wonders of the Invisible World Displayed by Robert Calef [1648 1719] attacked Mather s account. Skeptical about the existence of witchcraft, he argued for the injustice of the trials and suggested, moreover, that Mather influenced the judges and public opinion. A well-documented and devastating account, it was the first important publication to show that the trials were a miscarriage of justice. More Wonders of the Invisible World engendered a critical reaction in the form of a book entitled Some Few Remarks, upon a Scandalous Book, against the Government and Ministry of New-England. Written, by one Robert Calef. Detecting the Unparrallel'd Malice and Falsehood of the said Book; and Defending the Names of several particular Gentlemen, by him therein aspersed and abused. Composed and Published by several Persons belonging to the Flock of some of the Injured Pastors, and concerned for their Just Vindication (Boston: Printed by T. Green, Sold by Nicholas Boone, 1701). In the section To the Christian reader it describes Calef's book as containing venome (sic) and false narrations, and odious representations.